A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 48
... actual life by the absence of responsive action . Now this responsive action implies in actual life moral responsibility . In art we have no such moral responsibility - it presents a life freed from the binding necessities of our actual ...
... actual life by the absence of responsive action . Now this responsive action implies in actual life moral responsibility . In art we have no such moral responsibility - it presents a life freed from the binding necessities of our actual ...
Pagina 49
... actual life by its relation to the imaginative , justify nature by its likeness to art . I mean this , that since the imaginative life comes in the course of time to represent more or less what mankind feels to be the completest ex ...
... actual life by its relation to the imaginative , justify nature by its likeness to art . I mean this , that since the imaginative life comes in the course of time to represent more or less what mankind feels to be the completest ex ...
Pagina 425
... actual lighting , can occasionally produce the impression of actual presence which is a far from pleas- ant , though fortunately only a passing , illusion . For deco- rative purposes , in pictorial renderings of vistas , garden - per ...
... actual lighting , can occasionally produce the impression of actual presence which is a far from pleas- ant , though fortunately only a passing , illusion . For deco- rative purposes , in pictorial renderings of vistas , garden - per ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words