Dall'interno del libro
Risultati 1-3 di 38
Pagina 48
Art , then , is an expression and a stimulus of this imaginative life , which is
separated from actual life by the absence of responsive action . Now this
responsive action implies in actual life moral responsibility . In art we have no
such moral ...
Art , then , is an expression and a stimulus of this imaginative life , which is
separated from actual life by the absence of responsive action . Now this
responsive action implies in actual life moral responsibility . In art we have no
such moral ...
Pagina 49
good and desirable apart from their effect upon actual life . And so , too , I think
the artist might if he chose take a mystical attitude , and declare that the fullness
and completeness of the imaginative life he leads may correspond to an
existence ...
good and desirable apart from their effect upon actual life . And so , too , I think
the artist might if he chose take a mystical attitude , and declare that the fullness
and completeness of the imaginative life he leads may correspond to an
existence ...
Pagina 425
ome greater Distance - because neither their space ( perspective and imaginary
space ) nor their lighting coincides with our ( actual ) space or light , and the
usual reduction in scale of the represented objects prevents a feeling of undue ...
ome greater Distance - because neither their space ( perspective and imaginary
space ) nor their lighting coincides with our ( actual ) space or light , and the
usual reduction in scale of the represented objects prevents a feeling of undue ...
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole