A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 171
... affective cord linking the ideas of " greenness " and " youth " to the word " spring , " constitutes the raw material of poetry . Of course the thing " spring " ( the season ) denoted by the word " spring " also has many affective ...
... affective cord linking the ideas of " greenness " and " youth " to the word " spring , " constitutes the raw material of poetry . Of course the thing " spring " ( the season ) denoted by the word " spring " also has many affective ...
Pagina 175
... affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is affectively ...
... affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for this reason that a poem is concrete . It is affectively ...
Pagina 176
... affective coloring with which he soaks his piece of reality . It may be the old stale coloring , whereas our other poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost ...
... affective coloring with which he soaks his piece of reality . It may be the old stale coloring , whereas our other poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words