A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 66
Pagina 170
... appear in dream . It is " repressed . " Only the arbitrary symbols , apparently unconnected , appear in the consciousness . But this affective basis is the " reasoning " of the dream , and directs its course . It is the latent content ...
... appear in dream . It is " repressed . " Only the arbitrary symbols , apparently unconnected , appear in the consciousness . But this affective basis is the " reasoning " of the dream , and directs its course . It is the latent content ...
Pagina 235
... appear several times in the pages here reproduced , is made clear by the following quotation from the Preface to his book : " I must appear unfortunate in having laid so much stress on ' feeling , ' just when high authorities are ...
... appear several times in the pages here reproduced , is made clear by the following quotation from the Preface to his book : " I must appear unfortunate in having laid so much stress on ' feeling , ' just when high authorities are ...
Pagina 429
... appear " pretty " to them when the real landscape portrayed in it deserves , because of its love- liness or sentimental appeal , to be visited on some excursion . This means that for the majority of people esthetic pleas- ure is not a ...
... appear " pretty " to them when the real landscape portrayed in it deserves , because of its love- liness or sentimental appeal , to be visited on some excursion . This means that for the majority of people esthetic pleas- ure is not a ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words