A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 32
... appreciation of a single color may be esthetic . But more generally we are concerned with several colors , and it is ... Appreciation of Single Colors " ( Brit . J. Psych . , II , 406 ff . ) and " The Perceptive Problem in the ...
... appreciation of a single color may be esthetic . But more generally we are concerned with several colors , and it is ... Appreciation of Single Colors " ( Brit . J. Psych . , II , 406 ff . ) and " The Perceptive Problem in the ...
Pagina 196
... appreciation of it , and no good apart from some preference of it before its absence or its opposite . In appreciation , in preference , lie the root and essence of all excellence . Or , as Spinoza clearly expresses it , we desire ...
... appreciation of it , and no good apart from some preference of it before its absence or its opposite . In appreciation , in preference , lie the root and essence of all excellence . Or , as Spinoza clearly expresses it , we desire ...
Pagina 325
... appreciation of some works of art it is not essential to the appreciation of all . What we must say is that the representation of three- dimensional space is neither irrelevant nor essential to all art , and that every other sort of ...
... appreciation of some works of art it is not essential to the appreciation of all . What we must say is that the representation of three- dimensional space is neither irrelevant nor essential to all art , and that every other sort of ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words