A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 56
Pagina xvi
... appreciation to supplement the community of scientific interpretation . Just as the objectivity of science implies the recognition of a " common world " of describable objects , so the com- municability of art implies a " social ego ...
... appreciation to supplement the community of scientific interpretation . Just as the objectivity of science implies the recognition of a " common world " of describable objects , so the com- municability of art implies a " social ego ...
Pagina 32
... appreciation of a single color may be esthetic . But more generally we are concerned with several colors , and it is ... Appreciation of Single Colors " ( Brit . J. Psych . , II , 406 ff . ) and " The Perceptive Problem in the ...
... appreciation of a single color may be esthetic . But more generally we are concerned with several colors , and it is ... Appreciation of Single Colors " ( Brit . J. Psych . , II , 406 ff . ) and " The Perceptive Problem in the ...
Pagina 410
... appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of the object . There are two ways of losing Distance : either to " under ...
... appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of the object . There are two ways of losing Distance : either to " under ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words