A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 155
... artists and of all primitive artists . But in certain ages society has made the artist an exponent of the moral and ideal emanations of the super - ego , and art has thus become the handmaid of religion or morality or social ideology ...
... artists and of all primitive artists . But in certain ages society has made the artist an exponent of the moral and ideal emanations of the super - ego , and art has thus become the handmaid of religion or morality or social ideology ...
Pagina 372
... artist uses this personal method of coördination again and again , usually suitably varied , in diverse works . The ... artist's manner of construction , like any habit , may be discarded for a new one or for a very different one . Still ...
... artist uses this personal method of coördination again and again , usually suitably varied , in diverse works . The ... artist's manner of construction , like any habit , may be discarded for a new one or for a very different one . Still ...
Pagina 397
... artist of to - day does not continue the work of the artist of yesterday ; every work is closed in itself and has no objective reference to any other work of art . But we must return to our central proposition . We said that science ...
... artist of to - day does not continue the work of the artist of yesterday ; every work is closed in itself and has no objective reference to any other work of art . But we must return to our central proposition . We said that science ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words