A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina 36
... aspect , and man in his originating activity can only slavishly follow the models provided by Nature . He is not , so far as that aspect of art is concerned , a creator but merely an imitator . But art has its subjective aspect , and ...
... aspect , and man in his originating activity can only slavishly follow the models provided by Nature . He is not , so far as that aspect of art is concerned , a creator but merely an imitator . But art has its subjective aspect , and ...
Pagina 116
... aspect of our feelings , that aspect which speech has set down once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst ...
... aspect of our feelings , that aspect which speech has set down once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst ...
Pagina 347
... aspect of form ; and you may pursue interesting discus- sions on this basis , though no principle or ultimate ... aspects , is always in his mind ; and he is always aiming at a richer , truer , more intense repeti- tion of that ...
... aspect of form ; and you may pursue interesting discus- sions on this basis , though no principle or ultimate ... aspects , is always in his mind ; and he is always aiming at a richer , truer , more intense repeti- tion of that ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words