A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 284
... attitudes of this reader must be such as could not have been written in another age than our own . It must have sprung in part from the contemporary situation . It must correspond to needs , impulses , attitudes , which did not arise in ...
... attitudes of this reader must be such as could not have been written in another age than our own . It must have sprung in part from the contemporary situation . It must correspond to needs , impulses , attitudes , which did not arise in ...
Pagina 288
... attitudes to adopt , and with what aims to live . He has constantly called what he found in this quest , " knowledge , " unaware that it was hardly ever pure , unaware that his feelings , attitudes , and behavior were already orientated ...
... attitudes to adopt , and with what aims to live . He has constantly called what he found in this quest , " knowledge , " unaware that it was hardly ever pure , unaware that his feelings , attitudes , and behavior were already orientated ...
Pagina 297
... attitudes , which is the personality , all its worth depends . This is true equally for the subtle , finely compounded attitudes of the civilized individual as for the simpler atti- tudes of the child . In brief , experience is its own ...
... attitudes , which is the personality , all its worth depends . This is true equally for the subtle , finely compounded attitudes of the civilized individual as for the simpler atti- tudes of the child . In brief , experience is its own ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words