A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 361
... balance . Balance is equality of opposing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue ...
... balance . Balance is equality of opposing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue ...
Pagina 362
... balance between elements of unlike quality - balance , say , of brightness of color against distance or size - the attention value of each must be the same , though opposed in direction . The essential thing about balance is equality of ...
... balance between elements of unlike quality - balance , say , of brightness of color against distance or size - the attention value of each must be the same , though opposed in direction . The essential thing about balance is equality of ...
Pagina 363
... balance the heavier lower part . No more difficult of explanation are some cases where asymmetry appears to be ... balance . One finds similar eccentric elements in all complex pat- terns ; but always with a background of emphatic ...
... balance the heavier lower part . No more difficult of explanation are some cases where asymmetry appears to be ... balance . One finds similar eccentric elements in all complex pat- terns ; but always with a background of emphatic ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words