A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 153
... beauty , wherever it is to be found by our senses and our judgment , the beauty of human forms and movements , of natural objects , of landscapes , of artistic and even scientific creations . As a goal in life this esthetic attitude ...
... beauty , wherever it is to be found by our senses and our judgment , the beauty of human forms and movements , of natural objects , of landscapes , of artistic and even scientific creations . As a goal in life this esthetic attitude ...
Pagina 193
An Anthology Melvin Miller Rader. GEORGE SANTAYANA THE NATURE OF BEAUTY The Philosophy of Beauty Is a Theory of Values It would be easy to find a definition of beauty that should give in a few words a telling paraphrase of the word . We ...
An Anthology Melvin Miller Rader. GEORGE SANTAYANA THE NATURE OF BEAUTY The Philosophy of Beauty Is a Theory of Values It would be easy to find a definition of beauty that should give in a few words a telling paraphrase of the word . We ...
Pagina 488
... beauty . But the endeavor persistently through the present work to leave that notion out wher- ever possible is not due to an underestimation of the impor- tance of beauty . It is due only to a desire that the notion of beauty shall not ...
... beauty . But the endeavor persistently through the present work to leave that notion out wher- ever possible is not due to an underestimation of the impor- tance of beauty . It is due only to a desire that the notion of beauty shall not ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words