A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 70
... become emo- tional they must become parts of an inclusive and enduring situation that involves concern for objects and their issues . The jump of fright becomes emotional fear when there is 70 REALITY AND IMAGINATION.
... become emo- tional they must become parts of an inclusive and enduring situation that involves concern for objects and their issues . The jump of fright becomes emotional fear when there is 70 REALITY AND IMAGINATION.
Pagina 254
... become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become purely formal as we have realized their abstractness in systematic ...
... become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become purely formal as we have realized their abstractness in systematic ...
Pagina 441
... become indignant or shout . . . . Our most deeply rooted and indubitable convictions are always the most suspicious ... becomes widened , it undulates elasti- cally almost to the rhythm of our respiration . On the other hand , when the ...
... become indignant or shout . . . . Our most deeply rooted and indubitable convictions are always the most suspicious ... becomes widened , it undulates elasti- cally almost to the rhythm of our respiration . On the other hand , when the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words