A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 140
... called " eccentric , " that seem to stand in marked con- tradiction to the typical daydream ; in these the person introduced as the hero plays the least active part of any- one , and seems instead to let the actions and sufferings of ...
... called " eccentric , " that seem to stand in marked con- tradiction to the typical daydream ; in these the person introduced as the hero plays the least active part of any- one , and seems instead to let the actions and sufferings of ...
Pagina 246
... called the connexity of the relation . A relation is said to have connexity when between any two elements of the field whatever this relation holds . Now all sounds have pitch , and every distinct pitch is either above or below any ...
... called the connexity of the relation . A relation is said to have connexity when between any two elements of the field whatever this relation holds . Now all sounds have pitch , and every distinct pitch is either above or below any ...
Pagina 357
... called a logic of esthetic form . These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of ...
... called a logic of esthetic form . These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words