A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 97
... cause us rage and envy , because it is the work of our enemy or rival , for whom it will procure advantage and on ... causes pleasure . The life of this doctrine has consisted of proposing in BENEDETTO CROCE 97.
... cause us rage and envy , because it is the work of our enemy or rival , for whom it will procure advantage and on ... causes pleasure . The life of this doctrine has consisted of proposing in BENEDETTO CROCE 97.
Pagina 169
... cause . But we felt little real emotion in the dream , however surprising the adventures that befell us . If we felt emotion , it was out of all real proportion to our adventures . Surprising things happened and we were not surprised ...
... cause . But we felt little real emotion in the dream , however surprising the adventures that befell us . If we felt emotion , it was out of all real proportion to our adventures . Surprising things happened and we were not surprised ...
Pagina 398
... cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our mind in ...
... cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our mind in ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words