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Pagina 97
... which we approve as beautiful , may also cause us rage and envy , because it
is the work of our enemy or rival , for whom it will procure advantage and on
whom it will confer new strength : our practical interests , with their relative
pleasures ...
... which we approve as beautiful , may also cause us rage and envy , because it
is the work of our enemy or rival , for whom it will procure advantage and on
whom it will confer new strength : our practical interests , with their relative
pleasures ...
Pagina 169
And this vividness must spring from some affective cause . But we felt little real
emotion in the dream , however surprising the adventures that befell us . If we felt
emotion , it was out of all real proportion to our adventures . Surprising things ...
And this vividness must spring from some affective cause . But we felt little real
emotion in the dream , however surprising the adventures that befell us . If we felt
emotion , it was out of all real proportion to our adventures . Surprising things ...
Pagina 398
for us merely a material to be used and never a material to be enjoyed ; is the
object merely a cause to produce certain effects , never an end in itself ; can our
life be complete in itself if everything comes in question for us merely as a means
to ...
for us merely a material to be used and never a material to be enjoyed ; is the
object merely a cause to produce certain effects , never an end in itself ; can our
life be complete in itself if everything comes in question for us merely as a means
to ...
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole