A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 388
... causes of subsequent effects . Description and explanation are thus assumed to cover the whole ground of physical and psychological researches , and if all is described in its ele- ments and explained by its causes , we then know the ...
... causes of subsequent effects . Description and explanation are thus assumed to cover the whole ground of physical and psychological researches , and if all is described in its ele- ments and explained by its causes , we then know the ...
Pagina 389
... causes and effects . Description and explanation are not two separate logical tasks , but merely one - description works toward explanation , and there cannot be any descriptive analysis which does not find its real meaning in the refer ...
... causes and effects . Description and explanation are not two separate logical tasks , but merely one - description works toward explanation , and there cannot be any descriptive analysis which does not find its real meaning in the refer ...
Pagina 392
... causes and its effects ; the thing itself with all its richness and all its meanings to the human mind , and not the substitution which the scientist proposes for the explanation of future events . The thing itself is not its past or ...
... causes and its effects ; the thing itself with all its richness and all its meanings to the human mind , and not the substitution which the scientist proposes for the explanation of future events . The thing itself is not its past or ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words