A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 121
... character . In this sense only is he universally true . The same holds good of all the other products of art . Each of them is unique , and yet , if it bear the stamp of genius , it will come to be ac- cepted by everybody . Why will it ...
... character . In this sense only is he universally true . The same holds good of all the other products of art . Each of them is unique , and yet , if it bear the stamp of genius , it will come to be ac- cepted by everybody . Why will it ...
Pagina 122
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
Pagina 511
... character of the reading of those lines . Next observe that this character is derived from a fusion of the characters of the details interrelated within the stanza . Just single out the image of the bird poised in the shaft of light ...
... character of the reading of those lines . Next observe that this character is derived from a fusion of the characters of the details interrelated within the stanza . Just single out the image of the bird poised in the shaft of light ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words