A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 252
... characteristic without reference ex- plicitly to any scheme . But the ordinary scheme definitely includes it , and its name , instead of removing it from the scheme , fairly indicates its place there , provided we attend to its ...
... characteristic without reference ex- plicitly to any scheme . But the ordinary scheme definitely includes it , and its name , instead of removing it from the scheme , fairly indicates its place there , provided we attend to its ...
Pagina 382
... characteristic of the esthetic attitude . The object of an " entirely disinterested satisfaction , " declared Kant ... characteristics of the object . Distance , being a matter of degree , varies according to two different sets of ...
... characteristic of the esthetic attitude . The object of an " entirely disinterested satisfaction , " declared Kant ... characteristics of the object . Distance , being a matter of degree , varies according to two different sets of ...
Pagina 382
... characteristic of the esthetic attitude . The object of an " entirely disinterested . . satisfaction , " declared ... characteristics of the object . Distance , being a matter of degree , varies according to two different sets of ...
... characteristic of the esthetic attitude . The object of an " entirely disinterested . . satisfaction , " declared ... characteristics of the object . Distance , being a matter of degree , varies according to two different sets of ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words