A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina xxxvi
... common life , the common man is frequently most keenly aware of it . The masses , on the other hand , too often lack the capacity to appreciate difficult art , or to separate the specific factor , the personal and original component ...
... common life , the common man is frequently most keenly aware of it . The masses , on the other hand , too often lack the capacity to appreciate difficult art , or to separate the specific factor , the personal and original component ...
Pagina 164
... common part of man's consciousness . It is an approach to the secret unchanging core of the genotype in adapted man . Hence the importance of physi- ological introversion in poetry . This genotype is undifferentiated because it is ...
... common part of man's consciousness . It is an approach to the secret unchanging core of the genotype in adapted man . Hence the importance of physi- ological introversion in poetry . This genotype is undifferentiated because it is ...
Pagina 437
... common background which affirms itself in all these works , in such various ways , indeed , that at times they are even at cross purposes . Already it was taught by our good old Aristotle that dif- ferent things are differentiated by ...
... common background which affirms itself in all these works , in such various ways , indeed , that at times they are even at cross purposes . Already it was taught by our good old Aristotle that dif- ferent things are differentiated by ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words