A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 82
... complete their idea before its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodi- ment imposes a handicap . Nevertheless , they too are obliged to think ...
... complete their idea before its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodi- ment imposes a handicap . Nevertheless , they too are obliged to think ...
Pagina 241
... complete without minds , but minds , again , are not complete with- out things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of ...
... complete without minds , but minds , again , are not complete with- out things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of ...
Pagina 392
... complete isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the object ; and that is , finally , merely another name for the enjoyment of beauty . To isolate the object for the ...
... complete isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the object ; and that is , finally , merely another name for the enjoyment of beauty . To isolate the object for the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words