A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 443
... concept of empathy , is inapplicable to wide regions of the history of art . It has its Archimedean point at only one pole of the artistic sense of man . It will become a comprehensive esthetic system only when it will have united with ...
... concept of empathy , is inapplicable to wide regions of the history of art . It has its Archimedean point at only one pole of the artistic sense of man . It will become a comprehensive esthetic system only when it will have united with ...
Pagina 448
An Anthology Melvin Miller Rader. art - historical research the concept of the " artistic purpose . " By the " absolute purpose of art " must be understood that latent inner demand which , totally independent of the object and the mode ...
An Anthology Melvin Miller Rader. art - historical research the concept of the " artistic purpose . " By the " absolute purpose of art " must be understood that latent inner demand which , totally independent of the object and the mode ...
Pagina 504
... concept in philosophy . The concept of situa- tions , he writes , " enables us to understand how values are 1 The Journal of Philosophy , XLI ( 1944 ) , 337-360 . objective , as common men believe them to be , 504 Stephen C Pepper ...
... concept in philosophy . The concept of situa- tions , he writes , " enables us to understand how values are 1 The Journal of Philosophy , XLI ( 1944 ) , 337-360 . objective , as common men believe them to be , 504 Stephen C Pepper ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words