A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 218
... conception of the structure of objects lead us gradually to reduce the qualities of the object to a minimum , and to ... conceive to belong to real objects are for the most part images of sight and touch . One of the first classes of ...
... conception of the structure of objects lead us gradually to reduce the qualities of the object to a minimum , and to ... conceive to belong to real objects are for the most part images of sight and touch . One of the first classes of ...
Pagina 362
... conception of balance of unlike parts . With this richer conception in mind , we can understand 4 Compare Ethel Puffer , " Studies in Symmetry , " Harvard Psycholo- gical Studies , vol . I , 1902 . the balance - as in Bruegel's ...
... conception of balance of unlike parts . With this richer conception in mind , we can understand 4 Compare Ethel Puffer , " Studies in Symmetry , " Harvard Psycholo- gical Studies , vol . I , 1902 . the balance - as in Bruegel's ...
Pagina 417
... conception . Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a ...
... conception . Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words