A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 32
... concerned with a simple reaction to a single color , though it has been demonstrated that the apprehension or appreciation of a single color may be esthetic . But more generally we are concerned with several colors , and it is according ...
... concerned with a simple reaction to a single color , though it has been demonstrated that the apprehension or appreciation of a single color may be esthetic . But more generally we are concerned with several colors , and it is according ...
Pagina 308
... concerned with the same world with which science and technology are concerned . It is for this reason that esthetic discourse can often be given a paraphrase in scientific discourse , as in the prose restate- ment of the content of a ...
... concerned with the same world with which science and technology are concerned . It is for this reason that esthetic discourse can often be given a paraphrase in scientific discourse , as in the prose restate- ment of the content of a ...
Pagina 486
... concerned . For instance , if I say that by " green " I mean something which I actually point to , and another person accepts my use of the word , all that we then know is that we call by the same name whatever color we each perceive in ...
... concerned . For instance , if I say that by " green " I mean something which I actually point to , and another person accepts my use of the word , all that we then know is that we call by the same name whatever color we each perceive in ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words