A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina xxxv
... concrete qualities , and in which man's taste controls that show so as to express his sense of values . Thus art is as wide in its province as the contextualists assert ; yet , as the concrete expression of values , it is not to be ...
... concrete qualities , and in which man's taste controls that show so as to express his sense of values . Thus art is as wide in its province as the contextualists assert ; yet , as the concrete expression of values , it is not to be ...
Pagina 253
... concrete content are themselves structural . Like pitch , time , whatever else it may be , is an order . That space is an order we all realize from an elementary acquaintance with geometry . Two lines on a surface cannot remain merely ...
... concrete content are themselves structural . Like pitch , time , whatever else it may be , is an order . That space is an order we all realize from an elementary acquaintance with geometry . Two lines on a surface cannot remain merely ...
Pagina 566
... concrete fact with a high light thrown on what is relevant to its preciousness . What I mean is art ( and esthetic education ) . It is , how- ever , art in such a general sense of the term that I hardly like to call it by that name ...
... concrete fact with a high light thrown on what is relevant to its preciousness . What I mean is art ( and esthetic education ) . It is , how- ever , art in such a general sense of the term that I hardly like to call it by that name ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words