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Pagina 160
I, the artist, have a certain consciousness, molded by my social world. As artist I
am concerned with my artistic consciousness, represented by the direct and
indirect effect on me of all the art I have felt, and all the emotional organization
which ...
I, the artist, have a certain consciousness, molded by my social world. As artist I
am concerned with my artistic consciousness, represented by the direct and
indirect effect on me of all the art I have felt, and all the emotional organization
which ...
Pagina 161
But also my consciousness will be changed because I have, through the medium
of the art world, forced my life experience, new, dumb, and unformulated, to
become conscious, to enter my conscious sphere. That is the adaptative aspect
of ...
But also my consciousness will be changed because I have, through the medium
of the art world, forced my life experience, new, dumb, and unformulated, to
become conscious, to enter my conscious sphere. That is the adaptative aspect
of ...
Pagina 196
In removing consciousness, we have removed the possibility of worth. But it is not
only in the absence of all consciousness that value would be removed from the
world; by a less violent abstraction from the totality of human experience, we ...
In removing consciousness, we have removed the possibility of worth. But it is not
only in the absence of all consciousness that value would be removed from the
world; by a less violent abstraction from the totality of human experience, we ...
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Indice
Reality and Imagination | 3 |
Having an Experience From An as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |