A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 160
... conscious subject . This consciousness is contradicted by my experience — that is , I have a new personal experience , something not given in the social world of poetry . Therefore I desire what is called self - expression but is really ...
... conscious subject . This consciousness is contradicted by my experience — that is , I have a new personal experience , something not given in the social world of poetry . Therefore I desire what is called self - expression but is really ...
Pagina 161
... consciousness will be changed because I have , through the medium of the art world , forced my life experience , new , dumb , and unformulated , to become conscious , to enter my conscious sphere . That is the adaptative aspect of my ...
... consciousness will be changed because I have , through the medium of the art world , forced my life experience , new , dumb , and unformulated , to become conscious , to enter my conscious sphere . That is the adaptative aspect of my ...
Pagina 196
... consciousness were absent altogether , all value and excellence would be gone . So that for the existence of good in any form it is not merely consciousness but emotional consciousness that is needed . Observation will not do ...
... consciousness were absent altogether , all value and excellence would be gone . So that for the existence of good in any form it is not merely consciousness but emotional consciousness that is needed . Observation will not do ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words