A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina xxxii
... consider pure art or art qua art , the isolationist approach is exclusively valid ; but if we consider impure art or the way art in actual life becomes intertwined with the other strands of culture , the contextualist approach is ...
... consider pure art or art qua art , the isolationist approach is exclusively valid ; but if we consider impure art or the way art in actual life becomes intertwined with the other strands of culture , the contextualist approach is ...
Pagina 477
... consider a work of art stylistically we ask : To what extent does it express the individual outlook of its author and thus resemble his other creative compositions ? In what ways does it mani- fest the generic traits and express the ...
... consider a work of art stylistically we ask : To what extent does it express the individual outlook of its author and thus resemble his other creative compositions ? In what ways does it mani- fest the generic traits and express the ...
Pagina 518
... consider whether the artist has made the most of his emotional material , or has gone beyond the limits of esthetic endurance and destroyed esthetic distance . He will show the relation of the work to its social context . He will consider ...
... consider whether the artist has made the most of his emotional material , or has gone beyond the limits of esthetic endurance and destroyed esthetic distance . He will show the relation of the work to its social context . He will consider ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words