A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina xxx
... contextualist , or isolationist , or as medi- ating between the two . Both the isolationist and the contextualist interpretations have their dangers . Isolationism tends to make art irre- sponsible , precious , and dehumanized .
... contextualist , or isolationist , or as medi- ating between the two . Both the isolationist and the contextualist interpretations have their dangers . Isolationism tends to make art irre- sponsible , precious , and dehumanized .
Pagina xxxii
... contextualist approach is imperative . I regard this as a pseudo resolution of the conflict . The contextualist is not merely asserting the banal and obviously true proposition that art is often entangled with other forms of culture and ...
... contextualist approach is imperative . I regard this as a pseudo resolution of the conflict . The contextualist is not merely asserting the banal and obviously true proposition that art is often entangled with other forms of culture and ...
Pagina 522
... contextualist admits . And I believe that the capacity of a great work of art to be appreciated exists as long as ... contextualist has given us an empirical basis for this belief . But even if the contextualist does not care to take ...
... contextualist admits . And I believe that the capacity of a great work of art to be appreciated exists as long as ... contextualist has given us an empirical basis for this belief . But even if the contextualist does not care to take ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words