A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 236
... course in quite different manipulations from those of the wrought- iron . I suppose its facility of surface , how it lends itself to modeling or to throwing on the wheel , must be its great charm . Now the decorative patterns which are ...
... course in quite different manipulations from those of the wrought- iron . I suppose its facility of surface , how it lends itself to modeling or to throwing on the wheel , must be its great charm . Now the decorative patterns which are ...
Pagina 292
... course constantly touch off attitudes and action . Our daily practical ex- istence is largely guided by them . On the whole true statements are of more service to us than false ones . None the less we do not and , at present , cannot ...
... course constantly touch off attitudes and action . Our daily practical ex- istence is largely guided by them . On the whole true statements are of more service to us than false ones . None the less we do not and , at present , cannot ...
Pagina 394
... course , the painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing ...
... course , the painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words