Dall'interno del libro
Risultati 1-3 di 69
Pagina 23
Generally , of course , they are the conditions which give our senses the most
pleasure , and by that we mean the conditions which give pleasure , not only to
one sense at a time , but also to two or more senses working together , and finally
to ...
Generally , of course , they are the conditions which give our senses the most
pleasure , and by that we mean the conditions which give pleasure , not only to
one sense at a time , but also to two or more senses working together , and finally
to ...
Pagina 236
The clay , again , is delightful , I take it , to handle , to those who have a talent for
it ; but it is delightful of course in quite different manipulations from those of the
wroughtiron . I suppose its facility of surface , how it lends itself to modeling or to ...
The clay , again , is delightful , I take it , to handle , to those who have a talent for
it ; but it is delightful of course in quite different manipulations from those of the
wroughtiron . I suppose its facility of surface , how it lends itself to modeling or to ...
Pagina 394
But , of course , the painter must really succeed , the frame alone cannot isolate
that bit of experience . If his painting is nothing but a colored photograph which
makes us ask , what the name of that shore is , whether there is good bathing and
...
But , of course , the painter must really succeed , the frame alone cannot isolate
that bit of experience . If his painting is nothing but a colored photograph which
makes us ask , what the name of that shore is , whether there is good bathing and
...
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Sommario
Reality and Imagination | 3 |
Design | 44 |
Having an Experience From Art as | 62 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |