A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina xxxiii
... created or elaborated in the very act of creation . What distinguishes an artist from an ordinary person is very largely his ability to imagine some new concrete variation of the old abstract theme . About two thirds of the poems in the ...
... created or elaborated in the very act of creation . What distinguishes an artist from an ordinary person is very largely his ability to imagine some new concrete variation of the old abstract theme . About two thirds of the poems in the ...
Pagina 481
... creating an ob- ject adequately embodying his feeling . The test of the success of his attempt at objectification . . . is whether the object created does , in contemplation , mirror back the feeling which he attempted to express . What ...
... creating an ob- ject adequately embodying his feeling . The test of the success of his attempt at objectification . . . is whether the object created does , in contemplation , mirror back the feeling which he attempted to express . What ...
Pagina 483
... created is quite a different thing from finding it beautiful . The pleasure which such approval does express is pleasure found , not in the feeling objectified by the work ( which would be what would constitute the work of art beautiful ) ...
... created is quite a different thing from finding it beautiful . The pleasure which such approval does express is pleasure found , not in the feeling objectified by the work ( which would be what would constitute the work of art beautiful ) ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words