A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina xix
... creative activity of the artist , the work of art , the reception of art by the public , and the relation of art to the social order . 8 ( 1 ) The creative process . The activity of the artist is the expression of values . To illustrate ...
... creative activity of the artist , the work of art , the reception of art by the public , and the relation of art to the social order . 8 ( 1 ) The creative process . The activity of the artist is the expression of values . To illustrate ...
Pagina 471
... creative criticism is that of appre- hending imaginatively , through sensitive artistic response , what the artist has actually succeeded in expressing in a specific work of art . The re - creative critic will inevitably , and quite ...
... creative criticism is that of appre- hending imaginatively , through sensitive artistic response , what the artist has actually succeeded in expressing in a specific work of art . The re - creative critic will inevitably , and quite ...
Pagina 576
... Creative Imagination , London , 1929 . Fry , Roger , Transformations , London , 1926 . Vision and Design , London , 1920 . Last Lectures , Cambridge , 1939 . Gerard , R. W. , " The Biological Basis of Imagination , ” Scien- tific ...
... Creative Imagination , London , 1929 . Fry , Roger , Transformations , London , 1926 . Vision and Design , London , 1920 . Last Lectures , Cambridge , 1939 . Gerard , R. W. , " The Biological Basis of Imagination , ” Scien- tific ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words