A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 134
... daydreams . I believe that the greater number of human beings create phantasies at times as long as they live . This ... daydreams and conceals them from other people ; he cherishes them as his most intimate possessions and as a rule he ...
... daydreams . I believe that the greater number of human beings create phantasies at times as long as they live . This ... daydreams and conceals them from other people ; he cherishes them as his most intimate possessions and as a rule he ...
Pagina 138
... daydreams are those phantasies with which we are all so familiar . So much for daydreaming ; now for the poet ! Shall we dare really to compare an imaginative writer with " one who dreams in broad daylight , " and his creations with ...
... daydreams are those phantasies with which we are all so familiar . So much for daydreaming ; now for the poet ! Shall we dare really to compare an imaginative writer with " one who dreams in broad daylight , " and his creations with ...
Pagina 142
... daydreams , we experience great pleasure arising probably from many sources . How the writer accomplishes this is his innermost secret ; the essential ars poetica lies in the technique by which our feeling of repulsion is overcome , and ...
... daydreams , we experience great pleasure arising probably from many sources . How the writer accomplishes this is his innermost secret ; the essential ars poetica lies in the technique by which our feeling of repulsion is overcome , and ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words