A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 185
... definitions to the metaphysical definitions which depended on the con- ception of beauty , they are yet far from exact . ( 1a ) The first , the physiological - evolutionary definition , is inexact , because , instead of speaking about ...
... definitions to the metaphysical definitions which depended on the con- ception of beauty , they are yet far from exact . ( 1a ) The first , the physiological - evolutionary definition , is inexact , because , instead of speaking about ...
Pagina 186
... definition ( 2 ) , which makes art con- sist in the expression of emotions , is inexact , because a man may express his emotions by means of lines , colors , sounds , or words , and yet may not act on others by such expres- sion ; and ...
... definition ( 2 ) , which makes art con- sist in the expression of emotions , is inexact , because a man may express his emotions by means of lines , colors , sounds , or words , and yet may not act on others by such expres- sion ; and ...
Pagina 193
... definition that should really define must be nothing less than the exposition of the origin , place , and elements of beauty as an object of human experience . We must learn from it , as far as possible , why , when , and how beauty ...
... definition that should really define must be nothing less than the exposition of the origin , place , and elements of beauty as an object of human experience . We must learn from it , as far as possible , why , when , and how beauty ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words