A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 271
... describe one composition as more " profound " than another , will describe one melody as " noble " and another as " sentimental . " Such judgments are incompatible with the isolation theory , for on that theory nothing could be said ...
... describe one composition as more " profound " than another , will describe one melody as " noble " and another as " sentimental . " Such judgments are incompatible with the isolation theory , for on that theory nothing could be said ...
Pagina 273
... describes and the musical experience . Language is particularly deficient in words describing emotional states , and has only crude " portmanteau - words " which do not even approximately describe the experience . Its inability to describe ...
... describes and the musical experience . Language is particularly deficient in words describing emotional states , and has only crude " portmanteau - words " which do not even approximately describe the experience . Its inability to describe ...
Pagina 280
... describing the music because of some felt correspondence between it and the emotion of daily life . There is a recognizable similarity , yet when we want to describe our musical experience , the words used in doing it seem even more ...
... describing the music because of some felt correspondence between it and the emotion of daily life . There is a recognizable similarity , yet when we want to describe our musical experience , the words used in doing it seem even more ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words