A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 71
... described , the experience has esthetic character even though it is not , dominantly , an esthetic experience . Two men meet ; one is the applicant for a position , while the other has the disposition of the matter in his hands . The ...
... described , the experience has esthetic character even though it is not , dominantly , an esthetic experience . Two men meet ; one is the applicant for a position , while the other has the disposition of the matter in his hands . The ...
Pagina 172
... . In life this piece of external reality is devoid of emotional tone , but described in those particular words , and no others , it suddenly and magically shimmers with affective coloring . That 172 DESIRE AND THE UNCONSCIOUS.
... . In life this piece of external reality is devoid of emotional tone , but described in those particular words , and no others , it suddenly and magically shimmers with affective coloring . That 172 DESIRE AND THE UNCONSCIOUS.
Pagina 382
... described the nature of this intense focusing upon the object , but Münsterberg has greatly enriched and extended this earlier account . Like Richards and Charles Morris ( see Chapter V ) , he has also distinguished between the ...
... described the nature of this intense focusing upon the object , but Münsterberg has greatly enriched and extended this earlier account . Like Richards and Charles Morris ( see Chapter V ) , he has also distinguished between the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words