A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 71
... described , the experience has esthetic character even though it is not , dominantly , an esthetic experience . Two men meet ; one is the applicant for a position , while the other has the disposition of the matter in his hands . The ...
... described , the experience has esthetic character even though it is not , dominantly , an esthetic experience . Two men meet ; one is the applicant for a position , while the other has the disposition of the matter in his hands . The ...
Pagina 172
... . In life this piece of external reality is devoid of emotional tone , but described in those particular words , and no others , it suddenly and magically shimmers with affective coloring . That 172 DESIRE AND THE UNCONSCIOUS.
... . In life this piece of external reality is devoid of emotional tone , but described in those particular words , and no others , it suddenly and magically shimmers with affective coloring . That 172 DESIRE AND THE UNCONSCIOUS.
Pagina 382
... described the nature of this intense focusing upon the object , but Münsterberg has greatly enriched and extended this earlier account . Like Richards and Charles Morris ( see Chapter V ) , he has also distinguished between the ...
... described the nature of this intense focusing upon the object , but Münsterberg has greatly enriched and extended this earlier account . Like Richards and Charles Morris ( see Chapter V ) , he has also distinguished between the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth turn understand unity universal whole