A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 127
... desire neces- sarily involves pain or unpleasure , and the appeasement of desire involves pleasure ; these are , in a sense , phases of voli- tion . This is the position of SIGMUND FREUD ( 1856-1939 ) , whose theory might be called ...
... desire neces- sarily involves pain or unpleasure , and the appeasement of desire involves pleasure ; these are , in a sense , phases of voli- tion . This is the position of SIGMUND FREUD ( 1856-1939 ) , whose theory might be called ...
Pagina 136
... desire , while a young man has to learn to suppress the overweening self - regard he acquires in the indulgent ... desire . From there it wanders back to the memory of an early experience , generally belonging to infancy , in which this ...
... desire , while a young man has to learn to suppress the overweening self - regard he acquires in the indulgent ... desire . From there it wanders back to the memory of an early experience , generally belonging to infancy , in which this ...
Pagina 196
... desire , of pleasure , or of regret . No event would be repulsive , no situation terrible . We might , in a word ... desire nothing because it is good , but it is good only because we desire it . It is true that in the absence of an ...
... desire , of pleasure , or of regret . No event would be repulsive , no situation terrible . We might , in a word ... desire nothing because it is good , but it is good only because we desire it . It is true that in the absence of an ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words