A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 127
... desire neces- sarily involves pain or unpleasure , and the appeasement of desire involves pleasure ; these are , in a sense , phases of voli- tion . This is the position of SIGMUND FREUD ( 1856-1939 ) , whose theory might be called ...
... desire neces- sarily involves pain or unpleasure , and the appeasement of desire involves pleasure ; these are , in a sense , phases of voli- tion . This is the position of SIGMUND FREUD ( 1856-1939 ) , whose theory might be called ...
Pagina 136
... desire , while a young man has to learn to suppress the overweening self - regard he acquires in the indulgent ... desire . From there it wanders back to the memory of an early experience , generally belonging to infancy , in which this ...
... desire , while a young man has to learn to suppress the overweening self - regard he acquires in the indulgent ... desire . From there it wanders back to the memory of an early experience , generally belonging to infancy , in which this ...
Pagina 196
... desire , of pleasure , or of regret . No event would be repulsive , no situation terrible . We might , in a word ... desire nothing because it is good , but it is good only because we desire it . It is true that in the absence of an ...
... desire , of pleasure , or of regret . No event would be repulsive , no situation terrible . We might , in a word ... desire nothing because it is good , but it is good only because we desire it . It is true that in the absence of an ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth turn understand unity universal whole