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Pagina 127
Desire. and. the. Unconscious. SIGMUND FREUD: The Relation of the Poet to
Daydreaming. From Collected Papers (Translated by I. F. Grant Duff). HERBERT
READ: Art and the Unconscious. From Art and Society. CHRISTOPHER ...
Desire. and. the. Unconscious. SIGMUND FREUD: The Relation of the Poet to
Daydreaming. From Collected Papers (Translated by I. F. Grant Duff). HERBERT
READ: Art and the Unconscious. From Art and Society. CHRISTOPHER ...
Pagina 136
Here you see we have strong enough motives for concealment; a well-brought-
up woman is, indeed, credited with only a minimum of erotic desire, while a
young man has to learn to suppress the overweening self-regard he acquires in
the ...
Here you see we have strong enough motives for concealment; a well-brought-
up woman is, indeed, credited with only a minimum of erotic desire, while a
young man has to learn to suppress the overweening self-regard he acquires in
the ...
Pagina 196
Every event would then be noted, its relations would be observed, its recurrence
might even be expected; but all this would happen without a shadow of desire, of
pleasure, or of regret. No event would be repulsive, no situation terrible.
Every event would then be noted, its relations would be observed, its recurrence
might even be expected; but all this would happen without a shadow of desire, of
pleasure, or of regret. No event would be repulsive, no situation terrible.
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Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |