A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina xxix
... direct imaginative enactment of value - experience . Charles Morris , in his essay included in the included in the present volume , recog- nizes this distinction when he declares : " ... The presen- tation of value is not to be confused ...
... direct imaginative enactment of value - experience . Charles Morris , in his essay included in the included in the present volume , recog- nizes this distinction when he declares : " ... The presen- tation of value is not to be confused ...
Pagina 148
... direct references to the esthetic problem , some of his observations are suggestive . As formulated in his New Introductory Lectures , we have now to regard the individual as being divided into three levels or degrees of consciousness ...
... direct references to the esthetic problem , some of his observations are suggestive . As formulated in his New Introductory Lectures , we have now to regard the individual as being divided into three levels or degrees of consciousness ...
Pagina 198
... direct effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in ...
... direct effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words