A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina xxix
... direct imaginative enactment of value - experience . Charles Morris , in his essay included in the included in the present volume , recog- nizes this distinction when he declares : " ... The presen- tation of value is not to be confused ...
... direct imaginative enactment of value - experience . Charles Morris , in his essay included in the included in the present volume , recog- nizes this distinction when he declares : " ... The presen- tation of value is not to be confused ...
Pagina 148
... direct references to the esthetic problem , some of his observations are suggestive . As formulated in his New Introductory Lectures , we have now to regard the individual as being divided into three levels or degrees of consciousness ...
... direct references to the esthetic problem , some of his observations are suggestive . As formulated in his New Introductory Lectures , we have now to regard the individual as being divided into three levels or degrees of consciousness ...
Pagina 198
... direct effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in ...
... direct effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth turn understand unity universal whole