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Pagina xxix
... must employ signs as its ultimate subject-matter, but the latter, giving us
knowledge by acquaintance, makes use of signs as its proximate subject-matter,
which must be superseded by a direct imaginative enactment of value-
experience.
... must employ signs as its ultimate subject-matter, but the latter, giving us
knowledge by acquaintance, makes use of signs as its proximate subject-matter,
which must be superseded by a direct imaginative enactment of value-
experience.
Pagina 148
Introducing the Id More recently Freud has elaborated his anatomy of the mental
personality, and though he does not, in this part of his work, make any direct
references to the esthetic problem, some of his observations are suggestive.
Introducing the Id More recently Freud has elaborated his anatomy of the mental
personality, and though he does not, in this part of his work, make any direct
references to the esthetic problem, some of his observations are suggestive.
Pagina 198
The discovery of its date or of its author may be otherwise interesting; it only
remotely affects our esthetic appreciation by adding to the direct effect certain
associations. If the direct effect were absent, and the object in itself uninteresting,
the ...
The discovery of its date or of its author may be otherwise interesting; it only
remotely affects our esthetic appreciation by adding to the direct effect certain
associations. If the direct effect were absent, and the object in itself uninteresting,
the ...
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Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect attitude balance beauty become called cause character color complete connection consciousness contemplation course created criticism definition described desire direct Distance distinction distinguished effect elements emotion esthetic example existence experience expression external fact feeling give given hand historical human ideas images imagination imitation important impulse individual interest intuition judgment kind knowledge language less live look machine material matter means merely mind moral move nature object organic original painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significance simple situation social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 4 ott 2006 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |