A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 304
... discourse . Secondary forms of discourse are those built up out of other forms of discourse ; primary forms of discourse are those which are not a func- tion of other forms of discourse . The present position is that there are three ...
... discourse . Secondary forms of discourse are those built up out of other forms of discourse ; primary forms of discourse are those which are not a func- tion of other forms of discourse . The present position is that there are three ...
Pagina 305
... discourse and the pro- cedures utilized in the control of such discourse . Science as a whole ministers to man's need to be able to determine correctly his expectations , and hence his activity , in terms of the evidence which lies at ...
... discourse and the pro- cedures utilized in the control of such discourse . Science as a whole ministers to man's need to be able to determine correctly his expectations , and hence his activity , in terms of the evidence which lies at ...
Pagina 309
... discourse , engineering discourse , agri- cultural discourse , and the like . Each profession has its own imperatives , its own oughts , relative to the values it seeks to control . The question as to the relation of morality to ...
... discourse , engineering discourse , agri- cultural discourse , and the like . Each profession has its own imperatives , its own oughts , relative to the values it seeks to control . The question as to the relation of morality to ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words