A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 104
... distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety — that is to say , the multiple images were to find their common ...
... distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety — that is to say , the multiple images were to find their common ...
Pagina 200
... distinction between them is important . One factor of this distinction is that while esthetic judgments are mainly positive , that is , perceptions of good , moral judg- ments are mainly and fundamentally negative , or percep- tions of ...
... distinction between them is important . One factor of this distinction is that while esthetic judgments are mainly positive , that is , perceptions of good , moral judg- ments are mainly and fundamentally negative , or percep- tions of ...
Pagina 211
... distinction between pleasure and the sense of beauty has sometimes been said to consist in the unselfishness of esthetic satisfaction . In other pleasures , it is said , we gratify our senses and passions ; in the contemplation of ...
... distinction between pleasure and the sense of beauty has sometimes been said to consist in the unselfishness of esthetic satisfaction . In other pleasures , it is said , we gratify our senses and passions ; in the contemplation of ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words