A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 4
... distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( i.e. , the knowing of what is individual ) . As distinguished from practice , art is directed ...
... distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( i.e. , the knowing of what is individual ) . As distinguished from practice , art is directed ...
Pagina 4
... distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( i.e. , the knowing of what is individual ) . As distinguished from practice , art is directed ...
... distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( i.e. , the knowing of what is individual ) . As distinguished from practice , art is directed ...
Pagina 382
... distinguished between the scientific and the esthetic attitude . Since the publication of Kant's Critique of Judgment , disinterestedness ( which of course is not uninterestedness ) has been commonly recognized as characteristic of the ...
... distinguished between the scientific and the esthetic attitude . Since the publication of Kant's Critique of Judgment , disinterestedness ( which of course is not uninterestedness ) has been commonly recognized as characteristic of the ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words