A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 70
... drama and they change as the drama develops . Persons are sometimes said to fall in love at first sight . But what they fall into is not a thing of that instant . What would love be were it compressed into a moment in which there is no ...
... drama and they change as the drama develops . Persons are sometimes said to fall in love at first sight . But what they fall into is not a thing of that instant . What would love be were it compressed into a moment in which there is no ...
Pagina 119
... drama . Beneath the quiet humdrum life that reason and society have fashioned for us , it stirs something within us which luckily does not explode , but which it makes us feel in its inner tension . It offers nature her revenge upon ...
... drama . Beneath the quiet humdrum life that reason and society have fashioned for us , it stirs something within us which luckily does not explode , but which it makes us feel in its inner tension . It offers nature her revenge upon ...
Pagina 360
... drama or the novel , there is some one , or there may be several per- sons , whose character and fate create the plot . The third principle is thematic variation . It is not suf- ficient to state the theme of a work of art ; it must be ...
... drama or the novel , there is some one , or there may be several per- sons , whose character and fate create the plot . The third principle is thematic variation . It is not suf- ficient to state the theme of a work of art ; it must be ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words