A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 156
An Anthology Melvin Miller Rader. CHRISTOPHER CAUDWELL POETRY'S DREAM - WORK $ 1 Dream is neither directed thinking nor directed feeling , but free - that is non - social - association . Hence the associ- ations of dream are personal and ...
An Anthology Melvin Miller Rader. CHRISTOPHER CAUDWELL POETRY'S DREAM - WORK $ 1 Dream is neither directed thinking nor directed feeling , but free - that is non - social - association . Hence the associ- ations of dream are personal and ...
Pagina 169
... dream , poetic technique is similar to dream technique . The nature of dream technique has been explored by analysts under the general name of " the dream - work . " A dream consists of two layers . Obvious is the manifest content . We ...
... dream , poetic technique is similar to dream technique . The nature of dream technique has been explored by analysts under the general name of " the dream - work . " A dream consists of two layers . Obvious is the manifest content . We ...
Pagina 358
... dream ; it is for the mo- ment , in fact , his dream . And he can and does remain in the dream because the artist has so fashioned his work that everything there tends to continue and deepen it , and nothing to disturb and interrupt it ...
... dream ; it is for the mo- ment , in fact , his dream . And he can and does remain in the dream because the artist has so fashioned his work that everything there tends to continue and deepen it , and nothing to disturb and interrupt it ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words