A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 72
Pagina 125
... effect with causes that are too deep- seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to laugh at it , we must localize its cause in some intermediate ...
... effect with causes that are too deep- seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to laugh at it , we must localize its cause in some intermediate ...
Pagina 198
... effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in a ...
... effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in a ...
Pagina 277
... effects , that its effect upon the listener is of no consequence . If it pro- duced no effects of any kind upon anybody , what would be the reason for its existence ? When Hanslick says that " the beautiful , strictly speaking , aims at ...
... effects , that its effect upon the listener is of no consequence . If it pro- duced no effects of any kind upon anybody , what would be the reason for its existence ? When Hanslick says that " the beautiful , strictly speaking , aims at ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words