A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 31
... embodiment of the shapes characteristic of flowers , crystals and other organisms . We are told that everything on earth is changing , and so moving ; but an equally universal law governs its movement : an urge to find a condition of ...
... embodiment of the shapes characteristic of flowers , crystals and other organisms . We are told that everything on earth is changing , and so moving ; but an equally universal law governs its movement : an urge to find a condition of ...
Pagina 236
... embodiment of your whole delight and interest of " body - and - mind " in handling the clay or metal or wood or molten glass . It is alive in your hands , and its life grows or rather magically springs into shapes which it , and you in ...
... embodiment of your whole delight and interest of " body - and - mind " in handling the clay or metal or wood or molten glass . It is alive in your hands , and its life grows or rather magically springs into shapes which it , and you in ...
Pagina 239
... embodiment , yet also the embodiment is neces- sary to feeling . To say that because beauty implies a mind , therefore it is an internal state , and BERNARD BOSANQUET 239.
... embodiment , yet also the embodiment is neces- sary to feeling . To say that because beauty implies a mind , therefore it is an internal state , and BERNARD BOSANQUET 239.
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words