A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 180
... Emotion . From What Is Art ? ( Translated by Aylmer Maude ) . 2. GEORGE SANTAYANA : The Nature of Beauty . From The Sense of Beauty . 3. W. PEPPERELL MONTAGUE : Beauty ... Emotion and Pleasure Leo Tolstoy: Art as the Communication of Emotion.
... Emotion . From What Is Art ? ( Translated by Aylmer Maude ) . 2. GEORGE SANTAYANA : The Nature of Beauty . From The Sense of Beauty . 3. W. PEPPERELL MONTAGUE : Beauty ... Emotion and Pleasure Leo Tolstoy: Art as the Communication of Emotion.
Pagina 281
... emotions over again . It sounds as if we had a certain emotion in life which was then transferred bodily from life into the music , when actually the emotion evoked by the music is quite a different thing from the same ( general ) emotion ...
... emotions over again . It sounds as if we had a certain emotion in life which was then transferred bodily from life into the music , when actually the emotion evoked by the music is quite a different thing from the same ( general ) emotion ...
Pagina 325
... emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life he must use representation . Thus a man will paint an execution , and , fearing to miss with his first barrel of significant form ...
... emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life he must use representation . Thus a man will paint an execution , and , fearing to miss with his first barrel of significant form ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words