A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 61
... emotions aroused by means of sensations , he uses natural forms which , in themelves , are calculated to move our emotions , and he presents these in such a manner that the forms themselves generate in us emotional states , based upon ...
... emotions aroused by means of sensations , he uses natural forms which , in themelves , are calculated to move our emotions , and he presents these in such a manner that the forms themselves generate in us emotional states , based upon ...
Pagina 175
... emotion , it is organized emotion , an organized emotional attitude to a piece of external reality . Hence its value - and difficulty - as compared with other emotions , however strong , but unorganized - a sudden in- explicable fit of ...
... emotion , it is organized emotion , an organized emotional attitude to a piece of external reality . Hence its value - and difficulty - as compared with other emotions , however strong , but unorganized - a sudden in- explicable fit of ...
Pagina 514
... emotional perception . You remember William James identified emo- tion with the fusion ( that was his own word ) of organic and kinesthetic sensations . There is no very good reason why he should not have included the external ...
... emotional perception . You remember William James identified emo- tion with the fusion ( that was his own word ) of organic and kinesthetic sensations . There is no very good reason why he should not have included the external ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words